Get Declassified Once Again with Marvel's Agents of S.H.I.E.L.D. Season Three Declassified!

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Now available at online booksellers like Amazon and Barnes & Noble, local comic shops, or wherever fine publications are sold - Marvel's Agents of S.H.I.E.L.D. Season Three Declassified by Troy Benjamin! This 248 page hardcover continues the tradition of providing an excellent resource to fans of the series and the Marvel Cinematic Universe by giving you a full and detailed episode guide along with analysis from the writers, producers, and cast of the show, as well as looks behind the scenes on the stunts, visual effects, costumes, props, even the sounds required on a weekly basis for ABC's hit series!

Among the features of this season's book:

- A foreword penned by Daisy Johnson herself, Chloe Bennet talking about her experiences on the show.

- "The Sound of S.H.I.E.L.D." a top to bottom look behind how sound factors into each and every episode of the series, from what is recorded during production (and what is not) to what is added later in post-production. What does Daisy's "Quake" ability sound like? Do they smash a lot of car windows to get that sound? Find out in the book!

- A changed Director Coulson, Clark Gregg on love found and love lost - and what the tragedy he experiences in Season Three does to forever change his character.

- A look back on the evolution of Grant Ward into Hive, including conceptual artwork and commentary from the show runners and Brett Dalton himself!

- L.O.V.E. on S.H.I.E.L.D. - just why are relationships so difficult in the modern spy workplace? And how and why was this the right time for two "cursed" lovers to come together in the series? Elizabeth Henstridge and Iain De Caestecker give you their thoughts in this year's book!

As always, these behind the scenes tomes are such a joy to write - hopefully you'll enjoy reading this season's book as much as I enjoyed writing it!

In a Store Near You: Marvel's Agents of S.H.I.E.L.D. Season Two Declassified!

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About this time last year, I had the incredible experience of writing my first behind the scenes book for the amazing television show Marvel's Agents of S.H.I.E.L.D. and its first season. I consider myself so thankful and lucky that they asked me back to write a follow-up for the second season, and didn't want to let them down (nor fans of the first) by not making the second book bigger and better than the last.

Once again, there's so many people to thank that helped me out, dedicating their time and providing assets and amazing conversations that make the book what they are. And the problem is that once you start naming names, you inevitably always leave someone incredibly crucial out. So a very heartfelt thank you to anyone and everyone at Marvel, in front of and behind the camera on Agents of S.H.I.E.L.D. and to all those that have supported both books.

Thanks to everyone that contributed, there isn't a doubt in my mind that Marvel's Agents of S.H.I.E.L.D. Season Two Declassified is a definitive look behind the scenes of the show's second season: episode synopsis and analysis, behind the scenes anecdotes and details, artwork, storyboards, visual effects breakdowns, and incredible photography from some of the best unit photographers in the business. Even if you aren't a fan of the show (which you should be, but it's okay, I'll forgive you) hopefully the book is a great look into what it takes to create such an elaborate show on a week-to-week basis.

Once again, I kind of felt like Young William from Almost Famous - I was the uncool kid getting to hang with the super-cool rock stars and getting to tell their story. But where William's mandate was just to "make the band look cool," I didn't have to work too hard in order to convey the Agents of S.H.I.E.L.D.'s coolness. 

You can order the book here through Amazon, head to your local bookstore like Barnes and Noble or comic shop and purchase it, or buy it from that creepy guy with the gym bag that always offers you watches and "new movies." Wait, on second thought - scratch that, don't buy it from that last guy, it'll probably have the Declassified cover but be a bunch of takeout menus inside or something.

Wet Hot American Summer's Netflix Series - Best Sequel Since Gremlins 2

Before you jump to the comments to immediately express outrage like, "You're insane! Is that a cynical insult? Are you serious? What about Godfather Part II? Empire Strikes Back? Terminator 2: Judgment Day?" calm down. Hold on. Let me explain that headline, which could absolutely read as the clickbait I so loathe.

The cult-film Wet Hot American Summer was not only the first starring vehicle for some of the most successful present day actors and comedians, it was also a commentary on the tropes of camp films. The whole sequence where Michael Showalter's Coop rallies Camp Firewood for their big softball game against their rival across the lake only for it to end with everyone agreeing that it's a trite concept that's been played out in too many other films was indicative of the tone and approach the film took. It's only fitting that its eight-episode "sequel" currently on Netflix, Wet Hot American Summer: First Day of Camp, took that tone and cranked it to 11.

It occurred to me this morning on my (always) lengthy drive into work that the latest installment of Wet Hot American Summer isn't just another mirror on the camp film, it's also a mirror on the prequel as a whole. 

Looking back at the series, without delving too much into spoilers, the new mini-series not only explores origin stories, it explores EVERY origin story. Even things that you didn't think had or needed an origin story like the "Higher and Higher" song used in the original film. The radio broadcast? Here's the origin story for it. Beth becoming the camp director? Here's the origin story for that. Christopher Meloni's Gene having a torrid love-affair with a fridge? Yup, here's the origins of that. By the eighth episode of the series, you realize that it's not a storytelling device, it's a comedic device that's poking fun at a prequel's need to detail the origin stories of anything and everything, leaving nothing to mystery. Much like the Star Wars prequels where we get the origins for anything and everything like C-3PO (wait, Anakin Skywalker built him from scratch? Huh?), Wet Hot American Summer: First Day of Camp follows the same pattern by giving us backstory to many things that we didn't even think needed a backstory.

And that's where the comment about Gremlins 2: The New Batch comes into play. 

The oft-maligned sequel to Joe Dante's dark-humor Christmas film usually gets a bad wrap. So many of the critiques of the film is that it "just rehashes everything from the first movie" and is way too "silly." Those criticisms aren't without merit, both of those statements are true but the film is purposefully a commentary on sequels, especially those in the late-1980s. The movie takes the exact same premise, rehashes it on a larger scale in a different environment (Gremlins: In Space!) and pokes fun at the tropes that sequels often fall into that everything has to be bigger, better, heightened, and the same beats from the first film have to be hit no matter the cost or the placement in the second film. Phoebe Cates reiterates her hatred of certain holiday because of a bad memory associated with it. Gizmo sees a television broadcast of a larger than life hero and chooses to imitate it to save the day at the end of the film. All the while, this very pointed commentary on what sequels have to be and achieve continues on a runaway train.

Taking that same logic, Wet Hot American Summer: First Day of Camp is to prequels as Gremlins 2: The New Batch was the sequels. A very biting satire on the formula that I think I'll only appreciate more and more with follow-up viewings.

SPT2015: Catching Up on Marvel Awesomeness

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I vividly remember right after the release of Batman Returns that I sat down with a small notebook and somehow figured out that if Batman was released in 1989, and Batman Returns was released in 1992, that it would roughly take them another three years to release another Batman film. I don't know where that logic came from, but 11-year-old me was convinced that it would be true and I started a countdown to 1995. Sure enough, 1995 rolled around and so did Batman Forever (for better or worse). The countdown was a little on the excruciating side, especially at that age when time seems to crawl at such a snail's pace and three years seemed like an eternity.

I can't imagine being my present-day 33-year-old self and going back in time to tell my younger self that there would come a time in 2015 that I'd watch Agents of S.H.I.E.L.D. on television, which immediately led into the release of Avengers: Age of Ultron, then I'd be in Montreal and Vancouver (to work on two Marvel projects) and be watching Daredevil on Netflix, and a month later would be watching Ant-Man in theaters. There's more on this in the upcoming Marvel's Agents of S.H.I.E.L.D. Season Two Declassified (/end plug) but I can't think of any other time where there has been new content for a property consistently for six-plus months like there has for Marvel this year. And it seems like this is just the beginning as Star Wars will be following a similar model - and you can bet other intellectual properties will be hot on their heels.

The storytelling possibilities have been fantastic. One lengthy and connected story told over multiple years, through multiple mediums, with multiple focuses. How great is that? It's the comic book page having come to life and sent to the mainstream. I've been enjoying it completely. And yes, I do have a personal bias and was a little spoiled in seeing both Avengers: Age of Ultron and Ant-Man at their respective premieres... one of the amazing perks of being the Kimmy Gibbler to the Marvel family. But I'm enjoying every minute of it. Even though Ant-Man is another origin story, it falls in the midst of an on-going story that it's able to weave in and out of seamlessly. Age of Ultron was similar, it didn't need to carry the burden of introducing all the main characters (though it did have to carry the burden of introducing a variety of other characters, which made it a super-dense flourless chocolate cake). 

Ant-Man was a completely different film. If Captain America: The Winter Soldier was a politically-charged action thriller, then Ant-Man is a comedy-charged heist film. Shades of Oceans Eleven, The Italian Job, even a little bit of Mission: Impossible are all in there. It's great how all of the live-action Marvel properties have a very different feel and tone and probably a good reason why they've all been so successful.

One thing is for certain, between a Marvel-fueled first half of the year and a Star Wars-fueled second half, both 11-year-old and 33-year-old Troy are loving every minute of it. And I don't even have to wait three years in between it all.