Posts filed under Comic Books

Attempting to Make Sense of Trinity War

Bizzar -- uh -- I mean, INFECTED Superman goes to bat against multiple Justice Leagues. (Courtesy DC Comics)

Still attempting to catch up with my comics read pile, I finally was able to read all eleven issues of DC's event from last year, Trinity War

In short, the story revolves around Pandora (whom I didn't recollect at all until looking her up and discovering that she was in Flashpoint) and her infamous Pandora's Box. It's funny, Pandora's Box in these pages is actually a three-eyed skull, which makes it really hilarious every time a character is vying for "the box" but they're all Heisman Trophy carrying a skull tucked under their arm.

Because I'm so far behind on DC's New 52, I haven't read any of the Justice League or Justice League of America books yet. So some reverse engineering was required from the get-go to understand why there were two Leagues and who were the players involved. Also new to me were all sorts of Marvel-esque acronym organizations. S.H.A.D.E. and A.R.G.U.S. are heavily involved as the DC universe seemingly takes a few pages from the Marvel playbook. Again, I still haven't cracked open Frankenstein: Agent of S.H.A.D.E. but it's not difficult to surmise that this is going to be the New 52's S.H.I.E.L.D. Yes, yes, I know that Marvel takes a page from DC and vise versa... I overheard a conversation just yesterday where, "You know, the Nova Corps is basically just the Green Lantern Corps." But it's interesting to see just how much each publisher chooses to cherry pick.

But I digress, back to Trinity War...

Pandora has been spending thousands of years attempting to right a wrong, believing that she's to blame for the release of the seven deadly sins from a mystical box. The sins are, of course, embodied characters that have been to blame for some of mankind's most disturbing and tragic events throughout the span of history. Meanwhile, in her journey to destroy the sins and close the box (or open the box? Why is she going around trying to find absolute pure or absolute evil to open the box?) she hands the skull-box to Superman believing him to be the purist form of good. But it corrupts him and in the struggle that follows, Supes kills Doctor Light. Doctor Light in the New 52 is a family man, a scientist who is no superhero and hasn't quite honed his abilities. Superman is grief stricken, he can't believe that he's completely lost control and killed a man, neither can the rest of the Justice League(s) who immediately suspect foul play.

The groups all split up, the Phantom Stranger takes Superman and Katana into the afterlife to question Doctor Light's soul, Superman is taken into custody in a secure facility by Martian Manhunter, and Constantine leads Shazam away to steal his powers because... um... they needed Shazam to go away for a little while in order to cue up the climax of the event (because this all revolves around him - or does it? I don't know). 

It was interesting reading this event which struggled to track multiple Justice League teams immediately after reading Battle of the Atom, which seemed to effortlessly track multiple eras of the X-Men. In Atom, when the groups split up you understand why and what their mission perimeters are - but in Trinity War, the reader is asked to go along with motivations for whole groups even though you're not entirely sure why they're doing what they're doing. Green Lantern and Catwoman are trying to get into the House of Mystery. Why are they trying to get into the House of Mystery? Well, because other people were just in there. Just go with it.

Pandora falls to her knees and wonders what she's done. We're wondering what she's done too - no seriously, did she need the box opened? Wasn't this all a result of her opening the box? WHAT'S IN THE BOX!?!?!

Once everything comes to a boil and the true puppetmaster is revealed, the box-skull opens up a portal to Earth-3 revealing the anti-heros in Ultraman, Superwoman, Owlman and others. Get it, the Trinity War that we've been promised! It's a great moment... that strangely happens at the end of the event. Which makes sense because you've gone down this rabbit hole journey only for it to lead... into another event Forever Evil!

The result is a lengthy event with so many B, C, D and E stories that you have to admire the writers were able to weave together and mold into some sort of coherence. But when you get to the final issue of the event, you're left wondering - why did Trinity War not deal with a war between the two Trinity's at all? This was all about Pandora and the Sins and Superman going totally bonkers and nobody is sure why. It almost feels like reading Countdown again. It's all a big lead up, rather than an event. Reading some of the reviews of the event now, many people understood that it was going to be a bridge from event to event but are these comic events so frequent that we need an event to bridge an event to another event? In fact, writing that absurd sentence, are these even worthy of the title "event" now because of their frequency?

Regardless though, the art is superb across all of the books and tie-ins. While I'll end up reading Forever Evil in order to still continue the story, I'm thinking I'll be skipping all of the universally despised villains covers. Or at least, will only read those that I absolutely adore. Because you know, it's another event bridging Forever Evil into the next event I'm sure.

UPDATE: It's been pointed out to me (which I already know) that I'm a dope, and that Pandora appeared in every #1 issue of the New 52. So the event would benefit from having read all of the New 52 books, of which I'm incredibly behind and in most cases haven't even started. I'll put a pin in that thought and revisit this after finally reading through some of the New 52 books that have been collecting dust the past couple years once they're read. Maybe on a bigger scale once you've read all the titles in DC's stable, the event is more fulfilling. As I've also been reading, Forever Evil has been more universally applauded for its event status, so that'll be an interesting follow-up read as well.

Revisiting the Pages from X-Men Battle of the Atom

Past, present and future X-Men all come together to battle... okay, who brought the panther in the middle?

Doc Brown warned that seeing your past self seeing your future self could cause a temporal paradox of disastrous proportions. But Hank McCoy scoffs in the face of the Doc's interpretations of temporal displacement...

I'm a little behind on my reading, having just now turned the corner on a lot of the books in my read pile that have been there since Fall of 2013 (I know, I know). But highlight among what I'm reading right now are all of the various X-related titles that restarted with Marvel NOW. I might have been in the minority that enjoyed what Schism and AvX setup in terms of two very different factions of X-Men with two very different beliefs and values. I've actually never really cared for Scott Summers/Cyclops as a character, so pitting him into a role where I'm supposed to despise this guy actually works for me.

Truth be told, the Schism/AvX run leading into All-New X-Men has gotten me really back into the X-titles. Considering that it was published to coincide with the 50th Anniversary of the X-Men, it was an interesting way to put past and present, and even explore the future, into one book that actually felt organic. Sure, one could argue that McCoy should be smarter than to know bringing past incarnations of the team into the future could have enormous consequences on the timeline, but let's let it slide for the purposes of the storytelling.

Deception from the "future X-Men" and the twists and turns that come with the story were unexpected and fun. I enjoyed the self-referential moments, especially those called out as Maria Hill monitors from afar, which call out the constant bickering and drama that's been present with the X-Men since their inception. 

But most importantly and worth noting, I enjoyed that Battle of the Atom was a fairly contained event. Right now, I'm catching up on Trinity War and Batman: Zero Year which have been incredibly frustrating trying to track down random issues of Justice League Dark or Constantine in order to get the entire story. Battle of the Atom was thankfully relegated to the All-New/Uncanny/X-Men titles with the couple of proper event books which made for easy and clear reading. 

Now that I'm (somewhat) caught up with the masses, did you guys read it? What were your impressions? Let's talk comics!

San Diego Comic-Con 2014... From Afar This Year

Today marks the first "preview" day of the annual San Diego Comic-Con, which runs through this weekend. And it also marks the first time in a long while that I won't be down in the midst of it all. Over the past few years, the convention has exploded to ridiculous proportions. Wall-to-wall people jockey for position on roads and sidewalks, stand in lines that make Disneyland look like a fast food drive-thru, and literally scratch and claw each other for in-demand exclusives that are near impossible to get because of the sheer amount of people.

On top of all that, SDCC has become the go-to venue for film, television, and other mainstream media to flaunt their latest wares. It's not entirely clear what a movie like Let's Be Cops has to do with comic books or any of the genres that are indigenous to conventions, but someone somewhere decided, "Hey - 13-year old and college-aged boys like comics and stuff. We've gotta get them aware of this movie!"

Which is what a lot of SDCC boils down to now: that screaming and shouting in a crowd of thousands to be noticed, to be heard, to get someone's attention just long enough to sell them a ticket and hope that they'll tell twenty or thirty of their friends. But that doesn't explain why Variety is touting Fifty Shades of Grey as a potential surprise for Comic-Con. The audience down there isn't exactly your target demographic, but hey -- hordes of people! Quick, scream and try to get everyone's attention!

The San Diego Comic-Con is about as much about comics, sci-fi and pop culture as Sundance is about independent films being screened for a niche audience. It's all become this giant-sized circus that amounts to a lot of chaos rather than the personal individualized feel that it used to have. Nothing makes introverted, socially awkward nerds more comfortable than being surrounded by masses of people that are all demanding your attention and putting you on the spot every five seconds. It's the equivalent of walking through the school halls in junior high on an inflated scale now. Surely the bubble will burst soon?

At any rate, I'm actually looking forward to observing this SDCC from a distance. In terms of the Con experience, it seems like all of the big reveals and breaks are immediately (if not before-hand) on the internet. I'm able to interact with my favorite artists and writers on Twitter and purchase prints from them online now, which gives me the same experience as meeting them at their booth in Artist's Alley and gives me the time to admire their work in detail without being jostled by those damn giant WB bags every fifteen seconds. I'm also not really one for parties unless it involves getting to go into a replica of Flynn's Arcade and getting to play classic arcade games (again... see earlier comments about social anxieties). Though I enjoyed the couple that I've been to over the years, it's not high up on the priority list.

Despite the cynicism and grimness of the above (sorry about that), I'll be covering the things that excite me coming out of San Diego this year here on SPT. All you have to do is check back here frequently or hit up the tag SDCC on SPT down at the bottom of this page to travel through the rabbit hole of SDCC goodness as it progresses.

Thor: The New Goddess of Thunder

One has to wonder if this means a digital re-edit of Adventures in Babysitting will have to occur? (Courtesy Marvel.com)

Hot on the tails of DC announcing a revamp of one of their most popular female characters, Marvel announced today that a change is coming for the mighty Thor: and she's not to be trifled with... an all-new female Thor will debut with a renumbering in October.

Writer Jason Aaron will be penning the story and Russell Dauterman will handle art on the new title. Thor: God of Thunder, which began with the Marvel NOW! restart will be coming to an end in September.

According to the Marvel.com release, Thor sounds like he's taking a long vacation and this new female Thor will be "more than just a temporary female substitute." The publisher is stressing that this isn't a parallel Thor ala She-Hulk who will run in tandem with the original male character, she will be the one and only Thor in the universe.

Whether or not it's a complete reboot that retells the character's origins, or if a storyline will necessitate the change remains unclear. One would imagine that more information including how the tag out/tag in will come about at the 2014 San Diego Comic-Con. But already there's been decidedly mixed reactions to the announcement of the change. It seems to be a running theme this week with character changes, how they're handled, and whether they are a positive or a negative.

Thor is a character that it's always taken a bit of motivation to get me interested in, I still haven't tackled any of the Thor: God of Thunder books, and admittedly the Cinematic Universe series of films were a pleasant surprise because my familiarity with the character is really slim to none. It'll be interesting to see how and where they take this character and the impact that she'll have on the greater series of Marvel books. And in my eyes, it's hard to get worked up one way or another over the news. 

So in summation of my apparent reactions toward character changes: Ninja Turtle Revamp: Nay, Batgirl Revamp: Yay, Thor Gender Change: Indifferent. And thus, my true nature as a fickle and unpredictable fanboy is probably revealed.

Posted on July 15, 2014 and filed under Comic Books.